Actor español, his career is multifaceted; in addition to an interpreter, he has been a writer, singer and collaborator in television and radio programs. He won the ImaginaRock Award with his first album. Also, as director, screenwriter and producer, he received the RTVA award for his audiovisual project «Jaén Cazorla experience».
Throughout his career, he has participated in an extensive list of film and television productions. His collaboration with Álex de la Iglesia is remarkable, appearing in films like The Day of the Beast (1995), Ferpecto crime (2004), Sad trumpet ballad (2010), The spark of life (2011) and The witches of Zugarramurdi (2013). He has also worked with other directors in productions such as ♪ (1997), Torrente, the silly arm of the law (1998) and its sequel, Mortadelo and Philemon against Jimmy the Cachordor (2014) and Dismother included (2023).
On TV, he's had papers in series like There's no one here to live, Aida, Pluto BRB Nero, 30 currencies and Interways. He was also a screenwriter and producer in the documentary My beloved Monster (2021).
She is an Andalusian photography director based in Málaga. His film career started in 2012, in Germany, where he formed in the prestigious Bauhaus de Weimar. His passion for light and visual narrative were already latent, coming from painting and photography. In the last two years, he has highlighted in the direction of photography of short films as The Film Band de Leonor Jiménez y Delia Márquez e And you more of Leonor Jiménez, in addition to his work in the last length of fiction of Jesus Ponce.
Ana is also specialized in ethalonography, both of her own work and of documentaries. My last sentence of Juan Mata and The 107 of Fernando García H. In 2023, he co-writes and dirigie Self-employed, a short fiction that won the Fical Marathon 48 × 3 and has been later selected during 2024 at this same Festival, as well as at the Women's Film Show in Scene in Malaga, and in the United States, at the Fargo Fantastic Film Festival and the Horrific Women Film Festival.
Throughout his career, he has been sworn in festivals such as the Nuevo Cine Andaluz de Casares, the Audiovisuals of Cabra and Alcances in Cadiz.
He became an actress in the world of television series with Lorca, death of a poet in 1989. That same year, he also appeared in fiction Central Brigade.
His early years lived in Italy, where he got a great name in the film industry. Augh! or Il mammasantissima are some of the tapes that made it an icon of the seventh Italian art.
In those years, he worked with great actors, of the size of Andrea Occhipinti (65). Magnificent and prestigious film directors, like Joe D'Amato or Lamberto Bava, surrendered to their interpretative charms. With the latter, he shot the tape. Demonsin 1985, with which it reached great recognition.
In the late 1980s, he participated in a Central Brigade, one of the most remembered Spanish police for the small screen. In 1986, she was delighted to be able to make direct actress Fernando Fernán Gómez with her work in The trip nowhere.
With the change of decade, in the 1990s, Fabiola continues to be devoted to fictions such as National shooting and Mechanical workshop. Two years later, in 1992, Italy again tempt it and works on the remembered production Belle da morire, directed by Riccardo Sesani. He returns to his country and continues not to know the failure in titles like Don Juan, Let's get to work, Essence of power, Arrayan or The truth of Laura, among other works.
In recent years, the theater has been his "home." He has participated in such functions as Sprinkles +, with faces like Ana Obregón, Elisa Matilla, Teté Delgado or Miriam Díaz Aroca.
Born in Buenos Aires, he arrived in Benalmádena in 2002 with the aim of establishing and weaving cultural ties in his new environment. Great lover of the seventh art, devotes time and energy to promoting cinema as a tool for meeting and reflection. Participates actively in the cultural initiatives of Benalmádena, and is part of the Board of Directors of the Cine Club Más Madera.
José Modesto Aparicio Flores (Málaga, 1967) is an entrepreneur and passionate in the cinema. It understands the seventh art as a tool of education, reflection and pedagogy.
For three years now, the section "Movies no one will go to see... because they don't know them," which gives visibility to high-value cinematographic works that are often left outside the commercial circuits.
In addition, he has been running the Asprojuma Cinephorum for two years in collaboration with the University of Malaga, a meeting space in which cinema becomes an engine of dialogue and critical thinking.
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