Original title: Eter
Year: 2018
Country: Poland, Hungary, Italy, Lithuania, Ukraine
Director: Krzysztof Zanussi
Interpreters: Jacek Poniedziałek, Andrzej Chyra, Zsolt László, Maria Ryaboshapka, Ostap Vakulyuk, Małgorzata Pritulak, Rafał Mohr, Victoria Zinny
Script: Krzysztof Zanussi
Photography: Piotr Niemyjski
Assembly: Milenia Fiedler
Crepulcular but fully consistent with the work of Krzysztof Zanussi, Eter condemns many of his obsessions: the relationship between physics and philosophy, the myth of Fausto, spirituality and the closeness of the vacuum. As in The Crystal Structure (1969), Constants (1980) or Lighting (1973), the director places his story in the foreground of World War I, where an ambitious doctor experiences with ether, challenging ethical and scientific borders.
Inspired by Goethe, Mann, Wagner and, above all, in the triptych The final judgment of Hans Memling, the film captures the exalted and dark climate of a Europe that was believed to be omnipotent and shrouded the abyss.
With bright camera movements and a palette of dense and expressive colors, Eter powerfully transmits the tension between knowledge and power. Although Zanussi prints a moralizing tone to the work, he also gets a lucid and current portrait of greed and human fragility, confirming his place as one of the essential voices of European cinema.
Title Original: Rok spokojnego słońca
Year: 1984
Countries: Germany, USA, Poland
Address: Krzysztof Zanussi
Interpreters: Maja Komorowska, Scott Wilson, Hanna Skarzanka, Ewa Dalkowska, Vadim Glowna, Danny Webb, Zbigniew Zapassiewicz, Tadeusz Bradecki
Script: Krzysztof Zanussi
Music: Wojciech Kilar
Photography: Slawomir Idziak
At the end of World War II, American soldier Norman is assigned as a driver in a commission of inquiry that aims to find a mass grave of American soldiers executed by the Nazis. Driving his jeep among the ruins of the desolate post-war site, one day Norman casually stumbles upon Emilia, a Polish widow who has lost her husband in the war. Norman falls in love with her and begins to visit her and bring gifts to her humble residence: a miserable room that Emilia shares with her sick mother in a half-ruined building.
The film was nominated to the Golden Balloons in 1986 for the best film in the non-English language and received the Gold Lion of the 1984 Venice International Film Festival.
House of Culture. Pz. de Austria, s / n. 29631. Honey Arroyo. Benalmádena.
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