Actor, Malagueño, monologuist of Stand Up Comedy and screenwriter, Salva Reina has a consolidated career with many appearances. In 2022 Isosceles, by Ignacio Nacho and, before this one, The Universe of Oliver, with whom you travel, until the wedding separates us, from Dani from the Order and The List of Designs, by Álvaro Díaz Lorenzo and Before the burning, a film by director Fernando Colomo. In 2019 he also participated in Adios, from Paco Cabezas. The award with the Talento Andaluz Award of Canal Sur has received the ASFAAN Award at the National Audiovisual Creation Competition in Cabra. Thanks to his work on the large screen 321 Days in Michigan (Enrique García, 2014) and La Isla Minima (Alberto Rodríguez, 2014) he received various awards. For his role in 321 Days in Michigan he won the Biznaga de Plata Award for Best Actor of Reparation at the 2013 Málaga Film Festival and for La Isla Minima (winner of the 2015 Goya for Best Movie) he received the Málaga Cinema Award for Best Actor in 2014. He has also participated in three short films that have won different awards: The Austero Horseman (Nacho Albert, 2010), Bla Bla (Alexis Morante 2016), By Sifo
(Mario Hernández and Guillermo Rodríguez, 2016) and Abrada Apoil (Álvaro Carrero, 2016). Among his latest film works are the films Villaviciosa De Al Lado (Nacho G. Velilla, 2016) and Sor, Dame Paciencia (Álvaro Díaz Lorenzo, 2017). In addition, in 2018 he released two films: The Exchange (Ignacio Nacho) and The Best Summer of My Life (Dani de la Orden). He has participated as an actor, presenter and writer in various television programs and in theatre, he has been seen in: The King of Algeciras (Juan Alberto Salvatierra) and
It's been written. A Crime (directed by Juanma Lara with the collaboration of Ignacio Nacho); and more recently in comedy I sometimes see Umberto (written and directed by Álvaro Carrero). In the Antena 3 series Down there, he played the friendly curator José, a role for which in 2017 he received MiM Award for Best Actor de Comedia.
ISOSCELES
Year: 2022
Duration: 104 min.
Country: Spain
Screenplay and Address: Ignacio Nacho
Music: Paloma Peñarrubia
Photography: Alfredo López
Cast: Mara Guil, Ignacio Nacho, Salva Reina
Overview: Enrique and Victor were close friends during their college stage. An absurd setback, associated with immaturity, caused a distance between the two that lasted for years. Enrique has decided to break the ice and has contacted his old friend, quoting him at his house. Victor is enthusiastic about the appointment, although, unfortunately, he ignores the real reason for the meeting.
Director, producer and film writer born in Bilbao in 1938, is one of the most prominent Spanish filmmakers in the 1970s.
He studied economic science in Bilbao, but left the race to attend the Official School of Cinematography in Madrid. His first works as an amateur filmed them in 8 and 16 mm, and he was critical in film magazines. He worked for several years in television and advertising before moving to the movies, with little success at first.
His first film was Old color days (1967), but had to wait until It's not good that the man is alone. (1972) to find success. His cinema was characterized by one theme: the oppression of the individual under social forces, although in some films he is inclined by intrigue cinema.
Other films featured in the film by Pedro Olea are The wolf forest (1970), Storm (1974), A man called autumn flower (1977), Black flag (1986), The fencing master (1992), You will die in Chaparinas (1995) or Storm time (2003).
Cold-eyed days
Year: 1967
Duration: 77 min.
Country: Spain
Address: Pedro Olea
Script: Antonio Giménez Rico, Luis Mamerto López Tapia
Music: Carmelo A. Bernaola
Photography: Manuel Rojas
Cast: Cristina Galbó, Andrés Resino, Gonzalo Cañas, José Manuel Gorospe, Fernanda Hurtado, Josefina Serratosa, Gela Geisler, Coccinelle, Luis García Berlanga, Luis Eduardo Aute.
Overview: On the 1967 Holy Week holiday, three friends arrive in Torremolinos willing to flirt and experience strong emotions. They come into contact with a new environment, in which while some discover the lies that are hidden after luxury and splendor and the dangers that accompany easy life, others find true love.
A writer and director of Spanish cinema who between 2009 and 2011 also served as Minister of Culture of Spain, under the government of socialist José Luis Rodríguez Zapatero. Born on April 7, 1965 in Madrid, Ángelez- Sinde grew up within a family with great sensitivity and interest in culture, his father being the founder and first president of the Academy of the Arts and Cinematographic Sciences of Spain. During his years as a student he graduated in classical philology from the Complutense University of Madrid; he expanded his training with a master's degree in film script from the Autonomous University of the Spanish capital and later attending classes at the American Film Institute of Los Angeles. Even so, his first works were of the most varied, including tasks such as writing content for the female magazine Cosmopolitan, translation of texts or editorial promotion and musical shows. As for his career as a screenwriter, his work in television series such as The house of troubles and Truhanes or in more than a dozen feature sizes like The good star, Luck asleep (your debut as director) or Lies and fatA great box office success. This screenwriter also served as president of the Spanish Academy of Arts and Cinematographic Sciences and is the ctual president of the Royal Patronate of the National Museum Reina Sofia Center of Art since 2020.
THE COMENSAL
Year: 2022.
Duration: 100 min.
Country: Spain.
Address: Angels-Sinde.
Script: Ángeles Lincollez- Sinde, adaptation of Gabriela Ybarra's novel.
Music: Antonio Garamendi
Photography: Juan Carlos Gómez
Cast: Susana Abaitua, Fernando Oyagüez, Ginés García Millán, Adriana Ozores, David Luque, Iñaki Miramón, Ane Gabaraín, Ramiro Alonso
Overview: Iciar and Fernando are young. They both go through the most traumatic experience of their short lives: the loss of one parent. But Fernando and Iciar cannot share the pain or the strategies to handle it. They live in different times. Fernando in 1977 in Bilbao faces the abduction of his father by ETA. Iciar in 2011 in Navarra faces his mother's flashing cancer. From this unexpected loss, Iciar is aware of the tragic kidnapping and murder of his grandfather, whom he never met, at the hands of ETA in 1977. In the face of Fernando's refusal, his father, to talk about it. Iciar embarked on his own in a reconstruction of the tense days of the kidnapping forty years ago. Thanks to her efforts to bring to light the family memory, her father and she will be reunited in a new way of looking at the past to live the future... Adaptation of Gabriela Ybarra's autobiographical homonymous novel.
He was born in London in 1943. Recognized as one of the great revitalists of the British film industry, its trajectory started in 1961. He began as a third director in films such as Lawrence of Arabia (David Lean, 1962) or Dr. Zhivago (David Lean, 1965). In 1970 he was released to the production with Gerard's Adventures (Jerzy Skolimowski, 1970), and between 1973 and 1978 he held the post of General Production Director of 20th Century Fox in London, a period in which he contributed to the shooting of films like The Rocky Horror Picture Show (Jim Sharman, 1975), The Prophecy (John Moore, 1976), The Star War (George Lucas, 1977), Alien, the eighth passenger (Ridley Scott, 1979) and The Empire counterattacks (Irvin Kershner, 1980). After his 20th Century Fox, he became the executive director of EMI, where he supervised the production of films such as The Elephant Man (David Lynch, 1980) and The Jazz Singer (Richard Fleischer, 1980). After moving to California in 1982, he was appointed president of Showscan, a revolutionary film process used in international exhibitions and theme park simulators. In the mid-1980s, he co-founded the headquarters of the British Academy of Film and Television Arts (BAFTA) in Los Angeles (United States) and was the first president of the institution, from where he extended the international reach and influence of British film excellence.
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